Reading for more than Pleasure
As part of my intention to become a 'maker' more than a 'consumer' of information and stories, I appreciate James Clear's advice today on How to Read Better. The article…
As part of my intention to become a 'maker' more than a 'consumer' of information and stories, I appreciate James Clear's advice today on How to Read Better. The article…
Today, I was asked by a colleague whether I believe that personality can be changed. The question coincided with my explorations into how neuroscience and the theory of neuoplasticity is…
A couple of years ago I contacted Gallup about getting support to use their strengths-based materials with organisations and was politely told that Gallup only supported internal consultants. Finally they…
We all know the supposed benefits of learning from our mistakes. However, movie producer Nora Ephron – producer of chick flicks such as Sleapless in Seattle and When Harry met Sally – questions whether we can learn any lessons from the duds. In an article by Gerald Wright in the SMH, Ephron’s argument is: if, after a movie she realises that an actor was miscast, she can’t say she’ll never miscast again, because at the time she thought she was casting well. Similarly, as a a writer she cannot learn not to write bad scripts in the future, because at the time she didn’t think she’d written a bad script.
Ephron’s quotes raises some important issues about evaluating the business outputs of the creative process and raises implications for managing performance when creative outputs are not delivering the desired outcomes.
I recently listened to author Norman Doidge at the Sydney Writers Festival and promptly bought and read his book The Brain that Changes Itself. What I most liked was the…
Just skimming through Steve Denning's latest eNewsletter and I clicked on a supposedly helpful link (not from Steve): "50 Writing Tools". Hmmm - "50 Writing concepts and not an example…